Dr Sharon Taylor Receives Ceramics Award at the WMC Open Exhibition
Dr Sharon Taylor has been awarded the Ceramics Prize at the Working Men's College Open Exhibition, recognising a body of work that combines technical skill with thoughtful exploration of material, form and meaning.
A Practice Rooted in Observation and Making
Sharon's ceramic practice draws on both her medical background and her training in fine art and ceramics. Working primarily in porcelain and stoneware, she creates sculptural vessels and heart forms that explore themes of repair, resilience, interconnectedness and the human condition.
The award-winning piece was developed during her postgraduate studies in Professional Ceramics Practice at Working Men's College. Through hand-building, wheel-throwing, carving and layered surface decoration, the work reflects an interest in how materials can convey both strength and fragility.
Recognition for Material Sensitivity
The judges praised the work for its thoughtful use of materials and techniques, noting both technical knowledge and sensitivity in its execution. They commented on the way analogy and metaphor were used to create a reflective and poetic quality.
This recognition marks an important milestone in Sharon's developing practice and reflects her ongoing commitment to making work that is both technically accomplished and emotionally resonant.
Commissions and Exhibitions
Alongside her exhibition work, Sharon undertakes selected commissions for private collectors and public display. Each commission is developed collaboratively, responding to the individual story, setting or purpose of the piece.
Her work can be seen at exhibitions and events across London, including the Medical Art Society Annual Exhibition at the Royal Society of Medicine, HSOA annual exhibition, Gallery at the Playroom, London ceramics market, Affordable art fair Hampstead, Chelsea Art Market with Open spaces Art, and other selected exhibitions throughout the year.
Looking Forward
The Ceramics Award recognises not only a single work but an evolving practice grounded in curiosity, craftsmanship and careful observation. Sharon continues to develop new bodies of work that explore the relationship between material process, personal experience and the stories held within clay.
